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The last two years were exceptional ones for Polish cinema, as demonstrated both by the numerous awards received by Polish films at international film festivals and by the millions of tickets sold within Poland itself.The vitality of Polish cinema is a result of the great diversity of films that are being made.It achieves these ends largely though an abundance of footage of its subject at work and with a long interview that Davis videotaped in Los Angeles in 1986, two years before Basquiat’s death.” –Amy Taubin, ARTFORUM The 14th New York Polish Film Festival shows the true face of contemporary Polish cinema.Please visit our website for the full schedule: biopic of a major artistic figure of the NYC art scene of the 1980s, made by another major figure of that same moment, BASQUIAT was the directorial debut of painter Julian Schnabel (who would go on to make BEFORE NIGHT FALLS, THE DIVING BELL AND THE BUTTERFLY, and other films).Please visit our website for the full schedule: PIEDRA AUSENTE)NYC PREMIERE!In 1964, the largest carved stone of the Americas was moved from the town of San Miguel Coatlinchan in the municipality of Texcoco to the National Anthropology Museum in Mexico City in an impressive feat of engineering.“Jarmusch’s first feature is a remarkable time capsule of the landscapes of the Lower East Side circa 1980, and its fashion, culture, and attitude.
‘He’d grunt and go back to sleep.’” –BARBICAN BEDTIME STORIES 1–3: CAT STORIES / EINSCHLAFGESCHICHTEN 1-3: KATZENGESCHICHTEN(1977, 9 min, 16mm-to-digital.(It’s impossible to either look or film into the sun.) One can well imagine that the people creating such a picture, the gravity of which is supposed to hold all that, perform their task with as much care, seriousness, and responsibility as if they were splitting uranium.” –Harun Farocki A NEW PRODUCT / EIN NEUES PRODUKT(2012, 36 min, digital.In German with English subtitles.)“Farocki shows that organizations have found ways and means to speak positively using cynicism; that means, using phrases whose emptiness one not only perceives, but even takes into account.Along the way, he reads some French poetry, catches a Nicolas Ray film, steals a car…and bumps into a variety of morbid eccentrics and glamorous psychotics.Famously, when Jarmusch was filming in a flat on East 3rd Street, the painter Jean-Michel Basquiat took to using the set as a crash-pad.