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He’s an automotive whiz and tells me he can hear when something is not quite right with the engine.
He doesn’t hesitate to pop the hood, grab his bag of tools and start to tinker. What fiction writers often lack, however, is a defined set of tools they can put to use on problem areas. Stick them in your writer’s toolbox for those times you need to pop the hood and tinker with your characters’ words.
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And it may be something different than you anticipated, which is good.
Now you can go back and write the narrative that goes with the scene, and the normal speaker attributions and tags.
Another member of the class was a Pulitzer Prize–winning playwright. You can improvise just as easily by doing a Woody Allen. I am suggesting you do the same thing (in the privacy of your own home, of course).
I pray for you all day long, Harold.” Krebs looked at the bacon fat hardening on the plate. He might have said, “I made my bones when you were in high school!
The point is you can take almost any line and find a more sparkling alternative. The perfect comeback grows tiresome if it happens all the time.
Many writers struggle with exposition in their novels.
” Instead, screenwriter Mario Puzo penned, “I made my bones when you were going out with cheerleaders!
” (In his novel, Puzo wrote something a little racier).